“Andrzej Dobber’s Iago makes us forget that there are other possible interpretations. The articulation of his singing, founded on immaculate diction and perfect emission; the psychological penetration of the character devoid of any excess (an almost impossible task for Iago), worthy of a great prose actor; the meticulous knowledge of the part, which allowed him to breathe in unison with the conductor (and what a breath it is), made Dobber’s interpretation of a champion.” 
Lorenzo de Vecchi on Andrzej Dobber in Otello
Semperoper Dresden, 2017